Miguel Ángel García Martín (*1989, Zamora) is a percussionist, performer and improviser active in a variety of contexts such as contemporary classical music, multidisciplinary performances and experimental music based in Basel, Switzerland.

Fleeing from habituation and boredom, García keeps his curiosity active as member of ensemble this | ensemble that, KvG Bottom Orchestra, Fachbetrieb Rita Grechen, Tribal and ensemble lemniscate. He also performs regularly as freelancer with Collegium Novum Zürich, Nouvel Ensemble Contemporaine and Basel Sinfonietta.

Miguel is a sought after Musiktheater performer and has participated in the creation and rendition of productions for ECLAT, Spielart Festival, Staatsoper Berlin, Biennale di Venezia, Origen Festival Cultural, Münchener Biennale, Les Jardins Musicaux, Festival Musica Strasbourg and Neue Musik Rümlingen.

In the contemporary classical music field, he has worked together with composers such as Simon Steen-Andersen, Kathy van Eck, Ondrej Adamek, Michael Maierhof, Erin Gee, Alberto Bernal, Jürg Frey, Pierluigi Billone, Oscar Bianchi, Rebecca Saunders, Eno Poppe, Andreas E. Frank, Vinko Globokar, Phillipe Manoury and Stefan Prins among others.

In the experimental field, he has worked in the realization of multidisciplinary projects alongside with Lê Quan Ninh, Julian Sartorius, Strotter Inst., Zimoun or Myriam Bleau.

Miguel holds two Master’s Degrees from the Hochschule für Musik Basel where he studied with Christian Dierstein and attended lessons with Alfred Zimmerlin, Fred Frith, Anton Kernjak and Hopkinson Smith.